Saint-Maur, CRR
25 Rue Kruger, 94100 Saint-Maur-des-Fossés
Auditorium
1974 - Danion-Gonzalez (1)
1990 - Bernard Dargassies (6)
2003 - Jean-Marc Cicchero (6)
2023 - Yves Fossaert (5)
III/31 - traction: mechanical (notes), electrical (stops)
The first music school in the city of Saint-Maur-des-Fossés
was established in 1933. In 1961, with the appointment of
Pierre Doury as director, it experienced a prodigious
boom. New disciplines are taught and new teachers,
among the most renowned in the musical world, are
appointed. The school grew from four hundred students in
1961 to more than 1,000 years later.
In 1968, the school was promoted to the National School
of Music. Its innovative and renowned teaching team then
set up an important action to improve the study of music
theory. It was this work that led to the National Reform
Commissions of the 1970s.
In 1974, the school moved from the cramped premises on
Avenue Diderot to 25 Rue Krüger. This new building, an
integral part of the Rond-Point Liberté cultural complex,
houses thirty-three classrooms, two organ rooms, three
large studios for dance, drama, musical comedy and
percussion, a 435-seat auditorium with a concert organ as
well as a library and a listening discotheque.
In 1981, the school became the National Regional
Conservatory (the highest grade of the schools controlled
by the State at the time) and was labelled Regional
Conservatory (CRR) in 2007. This label, awarded by the
Ministry of Culture, allows it to award national diplomas in
the three disciplinary fields that constitute the heart of its
activity: music, dance and theatre. In 2019, under the
impetus of Jean Roudon, its director at the time, the CRR of
Saint-Maur received the approval of the State for the
creation of a Preparatory Cycle for Higher Education
(CPES), proof of the quality of its teaching.
Source
Founded in 1975 by Gaston Litaize, the organ class of the
CRR of Saint-Maur-des-Fossés has not only contributed to
the training of several remarkable organists of the young
generation (e.g. Olivier Latry, Frédéric Désenclos,
Christophe Mantoux, Aude Heurtematte, to mention only
French artists), but has always been a place of exchange
and discovery, especially in favor of twentieth-century
music.
The current ‘titulaire’ of the organ class is, since 28 years,
Éric Lebrun.
The position of the organ in the auditorium which
constitutes the center of the conservatory, makes it a
privileged instrument of cultural mediation, not only in the
city of Saint-Maur, but more broadly in the Ile-de-France
region.
In addition, many foreign students have passed through
this prestigious class, both under the direction of Gaston
Litaize and Olivier Latry, and even today, there are several
foreign students each year (North America, South America,
Europe, Eastern Europe, Iceland, Japan, Korea, etc.) The
name of the Saint-Maur conservatory is therefore well
known outside our borders thanks to the organ class.
The teaching of improvisation holds an important place in
this conservatory, which is one of the few establishments
in our country to offer a specialized curriculum. Gaston
Litaize, Olivier Latry, Thierry Escaich were the inspired
craftsmen, and Pierre Pincemaille continued this teaching
at the CRR with the competence that is recognized
throughout the world, until his death at the beginning of
2018. His successor, appointed in 2018, is David Cassan.
The class includes twenty-four students.
Source
L'orgue : une tradition à Saint-Maur de plus de 40 ans
In the new buildings of the CRR of Saint-Maur, Litaize,
founder of the organ class, realized the construction of a
Danion-Gonzalez organ for the Auditorium. Slightly
retouched several times, it has been the subject of an
exemplary restoration by Yves Fossaert – the ultimate opus
of the master builder who is retiring.
1974
Construction by Danion Gonzalez, voicing started by Jean-
Marc Cicchero
1990
Transformation of the Pedal mechanism (Danion-type
ribbon mechanism replaced by a traditional one) by
Bernard Dargassies
2003
Works by Jean-Marc Cicchero. Reprise of the harmony of
the Doublette 2' of the Grand Orgue. Change of the reeds
of the 8' Trumpet of the Récit. Removal of one rank of high
mixture in the Grand Orgue and two ranks in the Positif.
2019
Modern Combiner (9999 combinations) by Pellerin and Uys
2023
Restoration by Yves Fossaert.
•
The ribbon mechanism of the Danion house has been
replaced by traditional mechanics with abbreviations
specially created by the Fossaert manufacture.
•
The Pedal 8' Bourdon has been transformed into a 10
2/3 Fifth.
•
The 4' Open Flute of the Swell has been transformed
into the 8' Flute on the same keyboard.
•
Similarly, the Cor de Nuit has become a 4' Flûte douce.
•
The damper motors at the console have been replaced
with more reliable and quiet systems.
•
The harmony has been revised, especially the GO
foundations and reeds. The whole organ is based on a
much more grounded fundamental.
Source
Saint-Maur, CRR
25 Rue Kruger, 94100 Saint-Maur-des-Fossés
Auditorium
1974 - Danion-Gonzalez (1)
1990 - Bernard Dargassies (6)
2003 - Jean-Marc Cicchero (6)
2023 - Yves Fossaert (5)
III/31 - traction: mechanical (notes), electrical (stops)
ORGANS OF PARIS © 2024 Vincent Hildebrandt ALL ORGANS
In the new buildings of the CRR of Saint-Maur, Litaize, founder
of the organ class, realized the construction of a Danion-
Gonzalez organ for the Auditorium. Slightly retouched several
times, it has been the subject of an exemplary restoration by
Yves Fossaert – the ultimate opus of the master builder who is
retiring.
1974
Construction by Danion Gonzalez, voicing started by Jean-
Marc Cicchero
1990
Transformation of the Pedal mechanism (Danion-type ribbon
mechanism replaced by a traditional one) by Bernard
Dargassies
2003
Works by Jean-Marc Cicchero. Reprise of the harmony of the
Doublette 2' of the Grand Orgue. Change of the reeds of the 8'
Trumpet of the Récit. Removal of one rank of high mixture in
the Grand Orgue and two ranks in the Positif.
2019
Modern Combiner (9999 combinations) by Pellerin and Uys
2023
Restoration by Yves Fossaert.
•
The ribbon mechanism of the Danion house has been
replaced by traditional mechanics with abbreviations
specially created by the Fossaert manufacture.
•
The Pedal 8' Bourdon has been transformed into a 10 2/3
Fifth.
•
The 4' Open Flute of the Swell has been transformed into
the 8' Flute on the same keyboard.
•
Similarly, the Cor de Nuit has become a 4' Flûte douce.
•
The damper motors at the console have been replaced
with more reliable and quiet systems.
•
The harmony has been revised, especially the GO
foundations and reeds. The whole organ is based on a
much more grounded fundamental.
Source